Two March Concerts, lotsa witchy folk music

We’re thrilled to be playing a concert with Willow Switch (London, ON) on March 8th and then Milkweed (London, UK) on March 29th. Here’s the details:

1) Concert with Willow Switch, Princess Unlucky, & Myles Bullen

When: 3pm, Sunday March 8
Where: Avant Garde Bar (135 Besser St. in the Byward Market, close to the Rideau Centre)

We’ve been hearing for years about witchy folk duo Willow Switch, who feel like they could be a sibling band Wychwood was separated from at birth. Check out this video in an abandoned church for all the ritualistic, raw, eerie goodness: 

Meanwhile, we’re going to be doing a crossover set with our friend Sarah AKA Princess Unlucky, who plays harp, mixes a little freak folk and goth into her songs, and might just be the best new(ish) act in Ottawa.

Myle Bullen is touring with Willow Switch, and plays some vulnerable, lo-fi hip-hop it’s going to be very different and very cool. Listen here:
https://mylesbullen.bandcamp.com/album/mourning-travels-4

And Avant Garde Bar might just be our favourite Ottawa venue. They have Soviet propaganda decor and a pickle platter, what more could you want?

2) Concert with Milkweed, Bambini, & Sheepskin Rain

When: 7pm, Sunday March 29
Where: Le Spot (a private rehearsal space in Hull, please message us for the address)
Cost: 20$ / pay what you can / no one turned away for lack of funds

We became fans of Milkweed as soon as we listened to them. The way they bring together spellbinding folk, cassette hiss, and J Dilla-style beats is really compelling. Proof: https://milkweedfolk.bandcamp.com/album/remsc-la-2

Bambini is also going to treat us to bedroom freak folk, while Sheep Skin Rain is going to bring cassette loops and musique concrète to our set and their own.

Bonus: Here’s a couple of fascinating articles about Milkweed, if you want to dive deeper into the mystery:

Still Listening Magazine: Start Listening to Milkweed

Riverfest strikes back

Riverfest is back again this Monday, with ourselves and transatlantic duo C Joynes (guitar, Cambridge, UK) and Mike Gangloff (fiddle, Southwest Virginia, USA) playing.

Veterans of many albums and projects, you can check out their collaborative album here: cjoynes.bandcamp.com/album/tom-winter-tom-spring-2

Lucky for us, these two compelling sonic explorers are making a stop on their Canadian tour to play Riverfest. Come out to hear some jaunty frolics, improvisation, with touches of drone, psychedelia and other fun stuff in the gorgeous ambience of Pangishimo Park overlooking the river.

PANGISHIMO PARK is a new-ish gem of a lookout point between Chaudière/Akikodjiwan waterfall and the War Museum. Here’s shot of how things can look there:

More info, including how to get there: 

Too much live Wychwood in July

We’re going to be playing a ton of music in July!

Here’s all the details…

Summer Indie Folk Nite! Sunday, July 7, 2024

Indie Rock Extravaganza! Saturday, July 20, 2024

Side by Side Weekend! Saturday, July 27, 2024

ALSO

We’re going to be playing at mini-set as part of a Canadian Spaces radio show on CKCU that be broadcast live from The Turning Point record store at 10am on Saturday, July 13.

And finally, the community sing/jam-along we host will take place the next day (Sunday, July 14, at 6pm) in Patterson Creek Park. (More details here.)

 

Wayfaring Stranger

“Wayfaring Stranger” is a traditional gospel song first recorded in the 1800s, with roots that likely stretch back to an old German hymn from 1666 (“Ich bin ein Gast auf Erden” by Johann Georg Ebeling and Paul Gerhardt).

This is the words and chords to “Wayfaring Stranger” as we do it, for example in this video.

Wayfaring Stranger

Refrain: Am G Am — / Dm E(7) Am —
I’m only going over Jordan
I’m only going over home

  1. I’m just a poor wayfaring stranger
    A-travelling through this world of woe
    But there’s no sickness, toil, nor danger
    In that bright land to which I go
    I’m going there to see my father
    I’m going there no more to roamVerses:
    Am G Am — / Dm — Am E
    7 / 1st / Dm E(7) Am —
    F — C — / F — — E7 [pause]
  2. I know dark clouds will gather round me
    I know my way is rough and steep
    But beauteous fields lie just beyond me
    Where the redeemed their vigil keep
    I’m going there to see my sister
    She said she’ll meet me when I come
  3. I want to wear that crown of glory
    When I get home to that bright land
    I want to shout salvation’s story
    In concert with that blood-washed band
    I’m going there to see my children
    They’ve gone before me, one by one

Chords Symbols

Here’s some help deciphering our chord shorthand:

/
A slash divides the chords for one line of lyrics from the next.


A dash means repeat the previous chord.

C FG
For an example of a ‘squeeze chord’ like this, you would play the F & G  chords in the same amount of time you would play the C. This is a proportional way of indicating the rhythm of chord changes.


A quotation mark means repeat the chords from the previous line

1st, 2nd, etc.
Play the chords from the 1st, 2nd, etc., line

Here’s more details and examples, if this isn’t making a lot of sense to you.

St James Infirmary Blues

Playing St James Infirmary Blues in thebedroom

“St James Infirmary Blues” is a traditional song from New Orleans, from the days when jazz and blues were still taking form and still forms of folk music. (Cough, BLM, cough, ACAB.) It’s probably related to the old English ballad “The Unfortunate Rake/Lad/Maid/Sailor/Soldier/etc”. This would make it a blues cousin to the country ballad “The Streets of Laredo” — which showed up in Canada in forms like “The Bad Girl’s Lament.”

This is the words and chords to “St James Infirmary Blues” as we do it, for example in this video. Notice that Chrissy’s guitar is tuned down 2 semitones, so she uses Em chord shapes to play in the key of Dm.
https://youtu.be/wuVvt-mo0O0

St James Infirmary Blues

I went down to old Joe’s barroom
On the corner down by the square
The drinks were served as usual
And the usual crowd was there

Em B7 Em – / – Am B7 – / 1st / C7 B7 Em –
or
Dm A7 Dm – / – Gm A7 – / 1st / Bb7 A7 Dm –

At the door stood old Joe Kennedy
His eyes all bloodshot red
He turned to the crowd around him
And this is what he said

“Let her go, let her go, god bless her
Wherever she may be
She can search the whole wide world over
She’ll never find a man as sweet as me”

I followed 16 coal black horses
To pull that rubber tired hack
Well it’s 17 miles to the graveyard
But my baby’s  never coming back

I tried to keep from crying
My heart felt just like lead
She was all I had to live for
I wished it was me instead

When I die send crapshooters for pallbearers
Chorus girl to sing me a song
Put a jazz band on my hearse wagon
Raise hell as I roll along

Now that I’ve told my story
Let’s have another round of booze
And if anyone should happen to ask you
Tell em I’ve got those St. James Infirmary Blues

 

Chords Symbols

Here’s some help deciphering our chord shorthand:

/
A slash divides the chords for one line of lyrics from the next.


A dash means repeat the previous chord.

C FG
For an example of a ‘squeeze chord’ like this, you would play the F & G  chords in the same amount of time you would play the C. This is a proportional way of indicating the rhythm of chord changes.


A quotation mark means repeat the chords from the previous line

1st, 2nd, etc.
Play the chords from the 1st, 2nd, etc., line

Here’s more details and examples, if this isn’t making a lot of sense to you.

Perogies, punk, dreampop, blackgrass – one night only!

We’re playing a concert Thursday, February 8, 8pm at House of Targ!

Targ has perogies & pinball, Scrip Issue will bring their shoegaze punk (spotify), Preloved will serve up beautiful homemade dreampop (bandcamp), and bring the blackgrass, of course.

In particular, if you like watching us fight with pedals – and sometimes produce wild and beautiful sounds –this’ll probably be the show for you.

Monthly Hootenanny!

For a couple of years now, we’ve been hosting a community jam/sing-along once a month in Ottawa.

The next one will be Sunday March 23 (2025!) at 7pm at EP Cafe, 139 Bank St, just a few blocks south of Parliament.

This semi-secret hootenanny is informal and not performance-orientated or particularly artsy – we just sing and play songs together as a group. Bring an instrument or just your voice and enthusiasm. You don’t need to consider yourself a musician to come, just someone who enjoys music. We pick songs on the spot out of a songbooklet, which has familiar folk/rock/pop/country and friendly traditional folks songs. You’re also welcome to bring songs to share.

It’s “semi-secret,” in that we don’t usually talk about it on social media or spend a bunch of time promoting it like a regular concert. We just invite friends and pick which week of the month to do it with whoever shows up the month before.

If you’re reading this, you’re now in on the secret – and officially invited to come!

We’ll post the date for the next hootenanny here on the site.

Wychwood Weekend

We’ll be playing two sets this weekend on short notice.

First, we’re opening for Benj Rowland at 9pm, this Friday Oct 6 at Irene’s Pub, 885 Bank St.
Tickets are $15 in advance on Ticket Tailor and $20 at the door.

If you’re unfamiliar, Benj has been the main driving force behind the Mayhemingways and has recently released a great album, Community Garden, under his own name. If you like your folk to be a little quirky and to feature offbeat instruments and effects (and if you don’t, why are you signed up for this list?), you’ll enjoy Benj’ live show. He’s been a bit of an inspiration for us, so we’re stocked to have been asked a little last minute to join the bill.

We’re also gonna play a set starting at 11am at the Art Market organized by our pals at the Arlington Five coffeeshop (5 Arlington Ave, just off Bank St) .

Ethan & Maddy will be playing at 1pm, so the music alone – nevermind the art – should be more than enough to guarranttee a good time. If we’re lucky, there will be some crossover between their songs and ours.
If it’s raining, the music will be inside the the Arlington Five coffeeshop.

Blackest Crow

“Blackest Crow” is traditional folksong from Appalachia and the Ozarks, likely with some Irish roots. Most modern takes on the song go back to versions by Tommy Jarrell (1901-1985), a legendary fiddler, banjo player, and singer from the Mount Airy region of North Carolina’s Appalachian Mountains. Our version was directly inspired by the one done by Red Tail Ring, which seems to run though Bruce Molsky and back to Tommy.

This is the words and chords to “Wayfaring Stranger” as we do it, as in this video:

The Blackest Crow

in D: { A – DG D / D – Bm – } x2
As time draws near, my dearest dear
When you and I must part
How little you know of the grief and woe
In my poor aching heart

D – – – / Bm A D – / A – DG D / D – Bm –
Tis but I suffer for your sake
Believe me, dear, it’s true
I wish that you were staying here
Or I was going with you

{ A – DG D / D – Bm – } x2
I wish my breast were made of glass
Wherein you might behold
Upon my heart, your name lies wrote
In letters made of gold

D – – – / Bm A D – / A – DG D / D – Bm A
In letters made of gold, my love
Believe me when I say
You are the darling of my heart
Until my dying day

Bm A DG D  / Em – G – / A – DG D / D – Bm –
The blackest crow that ever flew
Would surely turn to white
If ever I proved false to you
Bright day would turn to night

D – – – / Bm A D – / A – DG D / D – Bm –
Bright day would turn to night, my love
The elements would mourn
The fire would freeze and be no more
The raging seas would burn

(Banjo/cello solo over D – – – / Bm A D – / A – DG D / D – Bm –)

{ A – DG D / D – Bm – } x2
So when you’re on some distant shore
Think of your absent friend
And when the wind blows high and clear
A line to me pray send

D – – – / Bm A Bm – / A – DG D / D – Bm A
And when the wind blows high and clear
Pray send it, love, to me
That I might know by thine own hand
How time has gone with thee

Chords Symbols

Here’s some help deciphering our chord shorthand:

/
A slash divides the chords for one line of lyrics from the next.


A dash means repeat the previous chord.

C FG
For an example of a ‘squeeze chord’ like this, you would play the F & G  chords in the same amount of time you would play the C. This is a proportional way of indicating the rhythm of chord changes.


A quotation mark means repeat the chords from the previous line

1st, 2nd, etc.
Play the chords from the 1st, 2nd, etc., line

Here’s more details and examples, if this isn’t making a lot of sense to you.